Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] review

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for the unrest? Katniss. And what's worse, President Snow has managed to get clear that no-one else remains safe and secure either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one with the most brought up books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended as being a trilogy. Did it genuinely end the way you planned it through the beginning?

A: Very much so. While Some know every detail, of course, the arc in the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the writing process.

Q: We understand you worked for the initial screenplay for a film to get based on The Hunger Games. What is the biggest distinction between writing a novel and writing a screenplay?

A: There were several significant differences. Time, for starters. When you find yourself adapting a novel in to a two-hour movie you simply can't take everything with you. The story has being condensed to suit the new form. Then there is the question of methods best to take a novel told within the first person and provides tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for any second and therefore are privy to any or all of her thoughts so you'll need a strategy to dramatize her inner world and to create it feasible for other characters to exist beyond her company. Finally, there's the challenge of the easiest way to present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lots of things are acceptable over a page that couldn't survive on the screen. But how certain moments are depicted may ultimately be inside director's hands.

Q: Do you imagine you're capable to consider future projects while working on The Hunger Games, or are you immersed inside world you are currently creating so fully it is just too difficult to think about new ideas?

A: We've a couple of seeds of ideas going swimming during my head but--given much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and that i can commence to develop it.

Q: The Hunger Games is a yearly televised event where one boy and something girl from each of the twelve districts is made to participate in the fight-to-the-death on live TV. Exactly what do you think the appeal of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an interest in seeing who wins. The contestants are generally unknown, which makes them relatable. Sometimes they've very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I have found very disturbing. There's also the possibility for desensitizing the audience, to ensure that after they see real tragedy playing out on, say, the news, it won't have the impact it should.

Q: In case you were made to compete in the Hunger Games, what can you think that your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope could be to have hold of an rapier if there is one available. But reality is I'd probably get in regards to a four in Training.

Q: What do you hope readers should come away with whenever they read The Hunger Games trilogy?

A: Questions about how elements from the books could be relevant within their own lives. And, if they're disturbing, what they might do about them.

Q: What were some of the favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but this time around it really is for world control. While it can be a clever twist for the original plot, it indicates that there is less focus on the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life into a less vibrant Katniss by showing her despair both at those she feels accountable for killing and possibly at her motives and choices. This is definitely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels as well as the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement to a unsure resume sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each and every with the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.