Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for your unrest? Katniss. And what's worse, President Snow has managed to get clear that no one else is safe either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one with the most talked about books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended as being a trilogy. Did it really end just how you planned it from the beginning?

A: Very much so. While Some know every detail, of course, the arc from the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the entire writing process.

Q: We understand you worked on the initial screenplay for a film to get depending on The Hunger Games. What is the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you discover yourself adapting a novel into a two-hour movie you can not take everything with you. The story has to become condensed to fit the modern form. Then there is the question of methods best to look at a book told in the first person and present tense and transform it right into a satisfying dramatic experience. In the novel, you never leave Katniss for any second and are privy to any or all of her thoughts so you may need a approach to dramatize her inner world and to generate it possible for other characters to exist outside of her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A great deal of situations are acceptable on a page that would not be on a screen. So how certain moments are depicted may ultimately be within the director's hands.

Q: Have you been capable of consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully who's is just too hard to consider new ideas?

A: We've several seeds of ideas boating within my head but--given much of my focus remains on The Hunger Games--it is going to be awhile before one fully emerges and i also can commence to develop it.

Q: The Hunger Games is an annual televised event through which one boy and something girl from each of the twelve districts is forced to participate inside a fight-to-the-death on live TV. What do you think that the benefit of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they've got very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I have found very disturbing. There's also the possibility for desensitizing the audience, to ensure that once they see real tragedy playing out on, say, the news, it doesn't contain the impact it should.

Q: Should you were forced to compete inside the Hunger Games, what do you imagine your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope will be to acquire hold of an rapier if there was clearly one available. But the reality is I'd probably get with relation to a four in Training.

Q: What does one hope readers will come away with after they read The Hunger Games trilogy?

A: Questions about how exactly elements in the books might be relevant in their own lives. And, if they're disturbing, what they might do about them.

Q: What were some of the favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but now it is for world control. While it is a clever twist about the original plot, it means that there exists less focus around the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life in to a less vibrant Katniss by showing her despair both at those she feels in charge of killing and and at her motives and choices. This is an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels and also the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very evidenced in the voice, which goes from rage to puzzlement to a unsure come back to sweetness. McCormick also helps to make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each one of the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.